Jun 23, 2020
Something I teach when lecturing about the strange bastard art of photography, is about segmenting our brains and our time when there’s a “thing” happening, so we can gracefully and intentfully photograph the “thing” from more than one angle, and in the process, gift that “thing” with more variety in how we see it.
Got it? No? Perfect.
A “thing”, is defined as a block of time where there is no deviation in the fundamental arc of the event by other contrasting events or alternative measures of some-such otherwise.
Canapes hour? That’s a thing.
First speech block? That’s a thing.
Portraits hour? That’s a thing.
Righto – glad we got that cleared up.
Case in point: the “thing” here, was about a 2 hour block, where Jenelle and Parker and all their guests were partying together on some ten houseboats that were tied together, off the eastern coast off the edge of Canada.
2 hours is a lot of time where there’s just partying, diving, and BBQ’ing going on. This means a lot of opportunity to intent-fully divide the time up, and try and extract some more wondrous things out of it that test both us and the narrative that’s there.
I’ll spend, for example, 25 minutes moving around doing photojournalism on digital cameras, and then, i’ll gift myself a calm lap, on a camera half a century old, to try and see this scenario (previously referred to as “thing”), in a different way.
In this lap, i’m extra slow, watchful, and, deliberately, not particularly worried about missing moments en-masse, but rather, more concerned with getting “a couple of good ones”.
Staying in a state of “fomo” and shooting like a maniac on digital is good for content creation and capturing opportunity in a sometimes thin way, but then the tradeoff is you’re watching less intentfully at what’s happening – and maybe missing the opportunity to show an event in a better light.
I walked along the edge of one of the houseboats, turned a corner, saw a bit of commotion, held this 1960s bucket of bolts to my eye, and breathed in.
One of my favourite images ever, let alone wedding ones.
Shot on Kodak Tri-X film, and developed by Atkins Pro Lab.
See their full wedding day featured on the USA’s largest wedding blog: Jenelle and Parker’s rustic week-long wedding featured on Wedding Chicks.