Jul 11, 2020
The Fyansford Paper Mill (otherwise known as Site 3a by Truffleduck) hosts weddings and events just outside of Geelong in the historic corner of Fyansford at Provenance Wines, in what is an absolute little treasure of the area, just minutes from the Geelong city centre. Take a look at this Fyansford Paper Mill Wedding Pre-enactment with the inimitable Georgie Boy.
I spent half a day in it’s incredible stone walls with Melbourne florist Gina (Georgie Boy), making use of the space and each of us following our noses in our respective crafts, with no end-goal in mind but to make something together in the 3 hours spent there. More from this shoot and a little short-film we created at the papermill to be released soon.
Scroll to the bottom for information on hiring for a Fyansford Paper Mill Wedding (or epic battle, midnight ritual, the world’s your oyster).
Fyansford Paper Mill is something of an internet enigma, and has less of a presence than you might expect for a venue that resembles an impossibly beautiful run-down italian castle, just sitting at the edge of Geelong.
Dating back to the precincts industrial era, the Fyansford Paper Mills look like something more likely to have been plucked from the minds of Peter Jacksons set-design team than a venue just outside of Melbourne that you can actually hire for your wedding: enormous wooden beams, an impossibly high entrance divider between the two main stone rooms and a unique blank canvas unlike anywhere else.
Anyhow, you don’t need me frothing over it’s incredible blue-stone walls and regurgitating information you can find readily available on the Truffleduck website, but I will say that outside of an old palace on the side of an Italian cliff, there aren’t any venues i’ve been to that feel anything quite like this.
Lower Section – 200 guests
Upper Section – 160 guests
Cocktail Style – 380 guests
For venues like the Paper Mill outside of Geelong, see Alternative Wedding Venues in Melbourne.
Jun 15, 2020
For those with “can’t-let-go-of-the-past” syndrome, or beautiful pieces of engineering cut short before their prime? This is a little how and why I drag around gear that passed it’s use-by date half a century ago and why I consider myself a film wedding photographer.
For a brief moment there in the late 00’s, opportunistic young-things were meeting the cries of the old-guard lamenting “film is dead!” with “yes, i’ll take all that dead processing gear off your hands for free, thankyou very much”. All of the beautiful analogue film processing gear that had seen so much love, had been decommissioned and retired, before being snapped up by enthusiasts for a song.
As a result, more film-labs began to open than they did close, and now there has never been a better time to shoot analog at weddings.
Film has been a key part of my look and approach since I became a melbourne wedding photographer, and an ongoing reason why creative folks and even other wedding photographers book me – even if in some cases I just channel the look of film photos in my digital images.
In 2019, I was awarded the analogue international wedding photographer of the year award, and in this post I want to discuss why I shoot film, what it’s benefits are, and why you might consider the use of analogue film as part of your wedding coverage.
It slows you down, and costs you money. In a generation of excess, our freewheeling brains need to be reined in. Historical patterns show that the more Tik-Toks and short-form content (ie – catering to short attention spans) there is entering the arena, the more room is then created for long-form content, and things warranting pause and stillness, as we collectively look for a space to make us feel something again.
When something forces you to respond slowly and consider the cost, the by-product of that is that you give yourself to the medium more. Where there’s tonnes of advantages in firing off thousands of frames on digital, there’s just as many advantages to having the costly walls of constraint around us (constraint being the only true useful tool in creativity that continues to stand the test of time).
People throw the whole timeless thing around in association with analogue film, but I think that only really holds true for black and white (Tri-X) film.
Most colour stocks actually have their own distinct look and feel that, when processed by a modern lab, aren’t what I’d necessarily call timeless. I don’t say that in a bad way – but the timeless colour we’re perhaps used to, is more the Kodachrome, stuff from the 60’s-80’s that our eyes more closely align with timelessness.
The rich, punchy colours of beautifully over-exposed Portra film aren’t any more timeless than digital, and are actually very distinct in their own right.
The sheer variety of looks in analog film stocks, lenses, and camera bodies is staggering, and each link in the chain imparts it’s own little flavour on the end look of the image.
So for me, shooting analog film is less about timelessness, and more about variety.
In my own tests, shooting analogue film is an objectively better experience for the person in front of the camera – if for nothing else, because we’re slipping into a loss of generational memory of those old cameras: and so these crazy old things bring on a strange sense of removed nostalgia and wonder, simply because it’s assumed that they’re just mantlepiece decorations, rather than fully capable image-making machines.
Having someone use an archaic piece of engineering with all the romance of a past-craft makes them feel valued in a totally different way. Even if the whole shoot isn’t being done on film, having some gear in the bag to switch things up can completely change the tone of the shoot.
David Rees is a good point of reference for the question “can the intrinsic value of a thing be increased or amplified by wrapping some old-world artisan air of craftsmanship around it”.
Typically, there are two main approaches that a photographer will take when choosing to use film as well as digital during a shoot, and they are either hybrid shooting, or separatist shooting (I made that second label up, but I can’t think of another way to title it).
Hybrid film photography is when the photographer shoots analog film, but aims to have the feel and tonality of the images completely in tune with the digital coverage. Often the aim of the preset applied to the digital images is to have them look as close as possible to the film ones. In this way, hybrid shooting is a process-based approach to film photography, rather than an output based approach: which is to say that it’s used mainly to provide variety to the photographer, rather than to the couple. This is not how I shoot film.
Separatist shooting is when the differences in the two mediums are celebrated, and no effort is made to create consistency between the digital images and the analogue images, meaning that the photographer gets to enjoy the process of shooting with different cameras, as well as providing something unique to the couple, and extra variety in the images they receive. This is how I choose to shoot film.
Separatist shooting is my preferred approach, and this is why: over the last 100 years, we’ve had hundreds of beautiful, differing formats used to create images. Different analogue film-stocks, and different lenses that all interpret light and render a scene, differently. I think those differences should be celebrated. It also keeps me more entertained pushing to find the deeper uniqueness of a particular format, rather than agonising over getting a perfect match between analog and digital, which for me, defeats the purpose of enjoying analog film as a medium.
Mixing things up is probably the number one reason why I shoot analogue film at weddings.
I don’t necessarily think consistency is overrated, but I do think surprise and intrigue is underrated. And as a film wedding photographer, there’s no greater joy than delivering a set of images where couples get the chance to swoon over that sprinkle of images that seem to just have something… else, to them.
Sure, I could go into the all the impractical bits of it, but for me, they’re joys. The only prolonged implications of shooting this stuff, is that it costs. It’s easy enough to throw in a roll here and there, but with analogue film and developing costs, we’re looking at about $70 for a couple of rolls – or about $3 per shot.
That’s fine when it’s a small part of the shoot, but a full-day analog wedding shooting only film can run past $1500 in film and developing costs alone very quickly, and that’s where it has to be considered as an add-on, rather than something that can be thrown in.
If you’re considering having your wedding photographed on analog film, I can recommend a bunch of ways in which it can be approached: whether having your entire wedding photographed on film such as Lil and Jake here, or doing what I do much of the time, when I detect that the idea sparks joy: bringing along some weird, wonderful gadgets, and making some images on them over the course of the day.
If you like, you can see some of what’s in my camera bag over at Shotkit, although it’s in need of an update (i’m pretty sure all the kit there hasn’t survived my anarchist hands for half a decade).
The poor-mans Rolleiflex, this little beauty is quiet, a marvel of engineering, dream to look at, and a pleasure to carry around.
This is my “good afternoon, i’m making some serious work” camera. A little heavier, a lot louder, but due to having an enormous mirror inside it, what you see through the ground-glass is what you get: whereas with a Twin Lens Reflex (TLR) camera, there might be a very slight difference in what you end up with.
The grand-daddy of common press-cameras in the 1950’s. Extremely portable, lightweight, invites curiosity, and the looks of it alone are good enough reason to be a film wedding photographer.
If I had to take one to a desert island, it would be the Yashica. If I got to take a tripod too, it would be the Hasselblad. My favourite film stocks are Kodak Portra 400 and Kodak Tri-X, although these days i’m taking a leaning towards the rich colours of Ektar.
If you’d like me to shoot some analogue film at your wedding, you can connect with me here or on instagram, and maybe for a doubke-whammy of awesome, let’s get our analogue on at one of the best alternative wedding venues in Melbourne.
For more of my film-only work, you can follow my personal account here.
If you like this, check out more black and white wedding photos.
Jun 14, 2020
Until early 2020, thanks to Covid19, weddings are going to be happening on a smaller scale (or, straight up elopements). With that said, if there’s one thing i’ve noticed in photographing celebrations of all shapes and sizes, there’s always a certain brilliance in intimate gatherings that just doesn’t exist in larger ones, and having a small wedding in the short term still means you can have a larger celebration down the line, with less planning infrastructure. So while we have to wait a little while to have big parties and weddings again, here are some of my favourite small wedding venues in Melbourne.
Ahead of the curve in the small-wedding game, The Altar Electric has been championing the power of intimate weddings for years, and is the brainchild of The Wedding Anarchist, Sarah Dobson, and Anthony Cribbes.
One of the more characterful small wedding venues in Melbourne and nestled in the industrial back streets of Collingwood, The Altar Electric warehouse wedding venue can cater for weddings up to about 30 people, and right down to a cracking shotgun-wedding with just the two of you and your witnesses.
To top it all off, they just upgraded their space, thanks to the incredible styling handiwork of local design and party heroes, Good Day Club.
So whether you’ve got 5 guests, 20 guests, or 30 guests, this brilliant peach palace is a great place to get a fab ceremony done.
When Covid19 hit full-steam and we were locked down to having weddings with a maximum of 5 people in total, local genius Mel of The Ceremony Store came up with a hit concept that quickly spread throughout Australia, and right over into the USA: I Do Drive Thru.
I Do Drive Thru gets you married in a whirlwind ceremony from the safe confines of your car, or anywhere in a public space: just you two, and the very closest of your crew. Get it said, get it done, and get away to celebrate what matters: just the two of you.
Don’t be mistaken by the name: while I Do Drive Thru might sound like, it’s a drive-thru thing, that’s only one side of what it can be. I Do Drive Thru is a small wedding ceremony, done anywhere you like, in exactly any style of intimate celebration that you can imagine. From loud, to quiet, to classy to crazy, and everything in between.
Read more about I Do Drive Thru here, and reach out to them to see if they’re the right fit.
Tess and Sam, married on their family property in Australia’s Kangaroo Valley.
If larger wedding venues aren’t a part of the plan, sometimes it’s best to look inwards to what’s closest: our own family property. With some thoughtful catering and preparation, having a wedding at your home makes for an intimate experience, and something potentially more meaningful when you look back at your photos.
The only concern usually had around having a wedding on family property, is that of cleanup! But keep your crew small, keep the food simple, and it’s a great way to have a meaningful celebration where the only timeline you’re working to is your own.
An Air-Bnb has all the intimacy and timeline benefits of hosting it on your own family property, with the added bonus of being able to get married at any spectacular geographic location of your own choosing. Select a location with adventure nearby and a good kitchen within.
Here, Sarah and Simon had a beautiful small ceremony at an Air-Bnb in a spectacular piece of nature, before enjoying a beautiful afternoon with 4 of their closest friends, and an evening of home cooked meals and games.
Sarah and Simons Australian wedding was featured on the wedding blog Rock n Roll Bride, so head over there for more of their story.
While we’re dealing with only having small gatherings, many of Melbournes most incredible venues are able to scale themselves down to accommodate a more intimate wedding.
To discover a whole lot of other options, here’s a list of incredible alternative wedding venues in Melbourne.
Looking for a large venue? Check out their Indian wedding reception.
Mar 21, 2019
Melbourne is full to the brim with unique and interesting wedding venues. When working out what the most unique wedding venues in Melbourne are, it’s natural to look through the lens of the big apple, as the flavour of much of our own city is inspired by the east coast.
New York is kinda like an egg. Ask 5 people for their favourite way to consume it, and you’ll get 4 different answers, and one who’d prefer a nut-based alternative. From the lush heritage upstate venues, to the impossibly enormous barns, to the Manhattan dives and industrial warehouse spaces closer to what we more commonly identify with the city, greater New York has variety of feels wider than it’s ever given credit for.
Here’s seven slices of New York, right here in our own Melbourne, that double as some of the most unique, alternative wedding venues in town.
The Substation has this classic “we’re just casually repurposed an industrial Brooklyn warehouse” written all over it, with staggering floor-to-ceiling windows (this criteria would be less staggering if, for example, the windows were in a hobbit-sized home but we’re talking a less vertically-challenged structure here), red statement curtains, and one end lined with more secret little rooms than you can poke a stick at.
With plenty of space to spare both in the main atrium and the rooms below, Melbournes alternative wedding venue queen Newport Substation can be mapped to nearly any configuration, including any furniture layout you can imagine, and an on-site burrito stand for guests to tuck into. Set up a band in one corner, hire a leading progressive florist like Good Grace & Humour or Georgie Boy to dress up one end with an impossibly wild installation (or leave it in all it’s all bare glory), and you’ve got a space that’ll be on the tips of the guests tongues for weeks. After they recover from their hangovers.
Check out Nicole and Dan’s incredible wedding at Newport Substation.
And thankful for it existing, we are. Separated into a Main Dining Hall, Conservatory, and Cocktail Lounge, alternative wedding venue in Melbourne king Rupert on Rupert takes the crown for classic modern New York bar vibes in Melbourne, and wouldn’t be out of place in any of the more recently gentrified areas of inner-Brooklyn: which is also code-word for gorgeously designed, thoughtfully laid out, with a level of subtle considered genius by a design team that makes the space grow on you like the third album from that previously favourite artist of yours.
Geographically tucked neatly away into the “local knowledge” category, pop into Rupert on Rupert on a weekend, and it’s jam-packed with folks who know what’s good.
Rupert on Rupert has three main areas, each of which can be repurposed as you need, and the menu is headed by (x) and a crack-team of friendly maestros who can cater incredibly for vegetarians and vegans alike.
I’m not saying to just get Aunt Jenny on her iPad taking the photos for the day, but I will say that with every inch of the interior so thoughtfully considered, you could probably point your 2002 Nokia at the urinal and still get an incredible image pretty much anywhere inside Rupert on Rupert.
But don’t do that, because it’s extraordinarily weird that you’re still using that phone.
For more inspiration check out Alix and Tim’s reception at Rupert on Rupert here.
These are a few things that you definitely won’t find at Panama Dining room anymore.
When stepping into this cavernous room filled with giant arch windows you might be forgiven that in it’s past-life as a music venue in the heartland of the pub-scene, the majestic gateways of Panama Dining Room looking into and around the city were completely covered up.
Since being exposed in all their glory, Panama Dining Room has staked its claim as one of Melbournes best open-bar, dining-hybrid venues, and if you gently squint, it’s easy to imagine yourself in the warehouse-loft of a pre-crash Wall St tycoon in the 80s.
So squint, dear friend, bring that cigar to the lips, and inhale that sweet, sweet smell of pre-2007 venue tobacco laws, while you imagine yourself in that steamy machine of systemic exploitation known as wall st.
Fortunately for those of the stamina variety, Panama did carry one little thing over from it’s days as a live music venue: a 1am liquor license.
So party on, dear aspirational Gordon Gecko.
The Panama Dining Room is located in the heart of Smith St, which places it in beautiful proximity to some of the most iconic and historical parts of Melbournes oldest suburb, Fitzroy. That puts it at arms length away from an incredible lot of great portrait opportunities that can be had even with just a quick little sprint away from the Panama.
As far as alternative wedding venues in Melbourne go, Panama is at the unique intersection of ticking every alternative box, while also being placed at the centre of the action.
Panama Dining Room website: www.thepanama.com.au
Venue size: Let’s run with “Sprawling”. 160 guests seated, 220 standing
There’s much to be said for nostalgia. It is after all, the reason why we fought tooth and nail for an (ill-fated, but I digress) Hey Hey it’s Saturday revival wayback when, and why the the whiff of a can of Lynx can suddenly remove two decades of time and space for those in the mid-30’s bracket.
The savvy folk at Showtime events and caretakers of State Library Victoria know the value of nostalgia, and so they know that once the lukewarm memories of higher education and it’s study pressures have faded into memory, there’s nothing more appealing than inhaling an Espresso Martini and double-stack of canapes in one of the worlds most extravagantly beautiful study halls.
Enter, State Library Victoria.
Thankfully to the mad hatters at SLV, there are a total of five separate, incredibly distinct spaces in which to host your wedding, that can cater from the intimate to over 500 guests. So whether you’ve spent your days as a cave dwelling misanthrope or have as many friends as Tom from Myspace, you’re probably covered.
The lay of the land at State Library Victoria starts at the obviously decadent La Trobe Reading Room, throws a curveball of art via the Cowen Gallery, and ends at the recently revitalised Ian Potter Queens Hall, with the glorious North Rotunda and Isabelle Fraser room in between.
The State Library of Victoria, as well as having a variety of rooms that would be the envy of a Labrynth-trotting Bowie, is smack in the heart of the CBD – lending itself to plenty of beautiful portrait opportunities, classic Melbourne laneways and beyond, and is one of the more left of centre alternative wedding venues in Melbourne.
State Library of Victoria website: https://venues.slv.vic.gov.au/wedding/
Isabelle Fraser Room: 156 Banquet 220 Cocktail
Ian Potter Queens Hall: 290 Banquet 500 Cocktail
La Trobe Reading Room: 520 Cocktail
North Rotunda: 60 Banquet 90 Cocktail
Cowen Gallery: 220 Banquet 350 Cocktail
Location: Melbourne CBD
Location: West Melbourne
5km out of the CBD, smack-against a bunch of shipping containers and an old-school automotive garage, it initially feels like you aren’t quite allowed to have all that room and calm all to yourself – but then you lean into it, and in return are gifted with one of the most unassumingly mighty warehouse experiences in Melbourne.
With the seasoned hands of Sam & Celeste and their hospitality empire at your fingertips, Gather and Tailor is a modular set of spaces, and the perfect blank canvas where you can call in as much or as little of the in-house styling as you need.
Check out Ash and Karan’s glorious Gather and Tailor wedding here.
Quat Quatta contains some of the most jaw-droppingly beautiful interiors and exteriors around (check out Burnham Beeches for another), and the breadth of portrait opportunities on-site both inside and outside are unbeatable. A festooned outdoor area makes for a glorious intimate ceremony space, before the party is carried inside.
But, let’s just hold off on all the adjectives and hyperbole for a hot damn minute, though: because something about this venue in particular isn’t talked about nearly enough: the bridal suites.
These old heritage rooms at the wings of Quat Quatta, apart from being a pretty splendid place to get all that bridal-suite stuff done (application of bandaids, eating of cupcakes, necking of champagne, and whatever else goes on in there), are totally gorgeous and a way under-appreciated part of the venues makeup, and one of my favourite areas of the building to take portraits on the day.
Quat Quatta is a place of wild charm and a more traditional-looking outpost that holds more than it’s own with plenty of variety. Check out this Quat Quatta wedding for a lay of the land.
Quat Quatta website: www.quatquatta.com.au
Quat Quatta wedding gallery: Quat Quatta wedding
New-York-ness: 6/10 (only because it’s more of an upstate-New York vibe)
Venue size: Pretty big, mate. 300 seated, 450 standing (Across two physical spaces)
There you have it. Six of the best alternative wedding venues in Melbourne, that while well-set in their own charms, would make anyone lusting after a little slice of those New York vibes feel right at home.
Author: Briars Atlas
This made the list a little late, but be sure to also check out this Two Ton Max wedding. For unique wedding venues in new South Wales, check out this beautiful Sydney Theatre Company wedding. For a unique Mornington Peninsula wedding venue, you need to check out Tanglewood Estate. And I’d hate to leave this one out, but even though it’s well west of Melbourne, the Fyansford Paper Mill is out of this world.
Dec 15, 2018
Gather and Tailor is an incredible rustic, industrial wedding and events space on the edge of Footscray, just slightly west of the Melbourne CBD. Couples of all types book at Gather and Tailor Wedding as there are two distinct spaces available to cater to all sizes and scales of celebration: Warehouse One, and Warehouse Two.
I’ve been fortunate to photograph weddings at Gather and Tailor Warehouse every other year, and so here are three couples with different types of celebrations, so you can see how they’ve each used both Warehouse One and Warehouse Two, and hopefully it gives a little insight into what can be done in their incredible spaces.
Gather and Tailor Warehouse One is the smaller of the two, but as with the specs below is still plenty large enough for weddings on the larger end of the dial, while having the space arranged in such a way that it’s also suitable for smaller weddings. The wedding you’re about to see was for Carli and Ennis, and was a communal gift from all supplies involved after a bushfire approached their first wedding in rural Victoria and forced them to evacuate. Incredible to see just how close the fire got.
Take a look at how everyone came together to get them the wedding they didn’t get to, at literally the last minute, have.
Gather and Tailor Warehouse One:
Warehouse Style, flexible blank canvas
Gather and Tailor Warehouse Two is significantly larger in floor space, and one of the most epic blank canvases you can imagine. If having a smaller wedding here, the space should be used and styled in such a way that it doesn’t feel like a tiny huddle in the corner of the Vatican.
The weddings you’re about to see are of Ash and Karan, and Anna and Anna – theirs of which was featured on Australia’s largest modern wedding blog, Hello May.
Warehouse Style, flexible blank canvas
Celebrant Gabriella Christopher Rings Julia Deville BRIDE ONE Dress Ellery Shoes Nicholas Kirkwood Makeup Ross Andrwartha BRIDE TWO Dress Dion Lee Entertainment The Elwood Community Shoes Proenza Schouler Earrings Ellery Makeup Ross Andrewartha Florist North St Botanical Venue Gather & Tailor Catering Pot and Pan Candles The Supply Co Lighting Technical Events Sound Hire DJ Warehouse
Heres some more of my wedding photography, made with couples from all over Melbourne, to the Yarra Valley, to Geelong and beyond.
Gather and Tailor website: http://www.gatherandtailor.com.au/
Unit 11/41-59 Sims St, West Melbourne VIC 3003
Looking for more unique wedding venues in melbourne? If you’re stoked on Gather and Tailor, load yourself up with one of Melbournes best wedding celebrants, and reach out to the team at Gather and Tailor. If you want me along for the ride to capture images exactly like those here, you can book me here.
Mar 25, 2018
Not only is the Cosmopolitan Hotel in Trentham, Victoria a top-notch, classic Aussie hotel, it’s also one of my favourite low key wedding venues in Melbourne. Located right on the corner of High St and Cosmo Rd in Trentham, this unsung hero of wedding venues really does put on quite the show.
The best part? It’s only just over an hour north-west of Melbourne’s CBD. Let’s check out the awesome Cosmopolitan Hotel wedding venue and all it has to offer!
The team at the Cosmo are absolutely wonderful, for one. They place such pride in their venue that they can’t help but go all out for their wedding clients. The level of care shown for even the tiniest of aspects of every wedding is astoundingly endearing.
The event team know their venue inside and out which allows them to perfectly place each and every decoration. They’ll also suggest the best locations for photographs and assist with any and all queries leading up to and during the big day.
The venue itself is absolutely perfect for an intimate country wedding because it holds such a warm, rustic air about it. If you want your wedding to bring back memories of gorgeous gardens, rural charm and warm firelight, this is definitely the Melbourne wedding venue for you.
The two main locations within the hotel grounds that are used for wedding ceremonies and receptions are the picturesque gardens and the charming stables.
The gardens truly are a sight to behold with their vast expanse and varied species of flowering shrubs and trees. Because of this they make a wonderful spot for wedding photos. They’re also honestly just a wonderfully calming, peaceful place to hang out.
The Stables, deary me, they are simply magnificent. Picture an old, weather-beaten barn built by hand from wood and other old-school materials. It’s well-kept enough to house up to 125 guests for a sit down dinner and a good old fashioned barn dance.
Fairy lights adorn both the interior and the exterior, adding a delightfully magical air to the entire event.
Even the simplest of decorations transform this venue into a lively, homely, spirited place to host a truly wonderful wedding.
The package includes delicious, local seasonal produce and a drinks menu featuring only the best wine, beer and cider from the region. So, the Cosmopolitan Hotel wedding in-house catering team is a force to be reckoned with.
A Cosmo wedding pays tribute to Victoria’s heritage in the most charming of ways. Events held here seem to draw on the historic nature of the pub itself. As a result, there’s no better place in Trentham to tie the knot that this majestic, historical venue.
And that’s the tea.
Dec 27, 2017
Holding a Tanglewood Estate wedding is like holding a wedding at something straight out of the head of Tim Burton. True to it’s name, Tanglewood Estate is a layered landscape of brilliantly twisted and tangled trees with a whole bunch of options both indoors and out for hosting your Mornington Peninsula wedding.
On it’s 100+ acres, Tanglewood Estate rustic spaces include The Chapel, The Grounds, the Studio (a former artists studio constructed entirely of mud brick), and the Winery. There’s a few little pieces about Tanglewood Estate’s story that are best left to them telling, but the one about their Chapel being purchased on Gumtree is a pearler.
I love shooting at Tanglewood Estate – apart from the enormous variety of spaces there, that sunset that drops behind the lake is out of this world.
I ran another series of wedding photography workshops at this beautiful slice of Mornington Peninsula wilderness – at it’s space called the Studio, and was joined by such a brilliant crew of Victorian creatives to spend the day together, such as the utterly inimitable Briggsy, Ashleigh Haase photography, my dear mate Cass Sullivan over from Tas and so many more, and had the incredible skills of Humdrum Films (head here for more Melbourne wedding videographers) putting together a video of the day.
Here’s a little peek into the day. Huge love to Humdrum Films for capturing it.
Growing up in the Yarra Valley and later towards the Mornington Peninsula, i’ve got a special love for those areas of Victoria, and it’s always a treat to photograph weddings out that way. Usually close to half of my photography year is spent across those two regions, and having spent so much time out there it makes perfect sense to host a wedding at Tanglewood Estate.
If you’re looking for a wedding photographer at Tanglewood Estate or the Mornington Peninsula, reach out and I can advise on how to go about it and how to make the best of your time out there.
Aug 18, 2016
Sault Daylesford isn’t just the most instagrammable lavender field in the state, it’s one of the regions best restaurants and slices of country in Victoria. Jo and Mike decided on a Sault Daylesford wedding, and I hitched a ride and took some proof that somewhere in amongst the glorious food and lavender field jaunts, they also did the marriage thing.
Reach out to Jodi and Damien, the husband and wife powerhouse who run Sault Daylesford. After getting married there themselves, they fell in love with the place and bought it! As you do. This means the most wildly invested team deeply in love with the surrounds but hosting an incredible time for your wedding.
Sault Daylesford website: https://www.sault.com.au/
For more country Victoria wedding venues, check out Immerse Yarra Valley, Stones of the Yarra Valley, Yering Station, or for more industrial vibes, have a look at these unique Melbourne wedding venues.