I had a chat with alleged government agent/assassin Carlo, otherwise known as the the genius artistic brain behind Lunar Red Films. We’ve been lucky to work together on the wedding of Pepe and Sam, featured on Hello May, with none less than Nat Sproal, Torte by Mirjana, Killer Queen Creative, and Good Day Club.
With Covid forcing us all indoors and all manner of brilliant doorstep portrait projects happening, I wanted to kickstart some convos with my local community and find out how the time and strange space is being used, as it’s never been more important to stay connected and sharing.
So who the hell is Lunar Red Films, what do your friends think you do, and what do you actually do?
My name is Carlo. My friends think I’m a government assassin (can confirm this is a generally held opinion – BA). Me mum thinks I’m handsome, but really I’m just your friendly, neighbourhood wedding cinematographer.
What excites you most about the culture of weddings in Melbourne?
Melbourne is just chock a block full of wonderful, loved up weirdos, who are willing to break convention and tradition and just do their own thing. It means that each couple has brought a sense of heart and soul into their weddings, and have given it a stamp that is all on their own. I don’t know any other city where that happens.
What do you feel separates Lunar Red Films from those around you in your line of work?
Some people use the term “minimalism” (cue the air wank motion) – I prefer to say “steak and veg”. That’s how I like to shoot – as simple and as free of gimmicks and other fanciful shit as humanly possible. What that leaves me with is me, the camera, and the moment happening directly in front of me. I’m not here trying to manufacture someone else’s feelings, I’m not attempting to set up a moment that isn’t real. Everything I point my camera at is genuine and, hopefully, the couple remembers the feelings they have for each other in the moment as opposed to me yelling at them to behave a certain way.
How have you kept your business healthy during Covid, and how might couples now benefit from it?
I like to cap my weddings per season at a certain number. It means that I’m able to give each wedding my creative focus without being snowed under by work and burn out. When covid hit, I only had a handful of weddings left to shoot down the line, so it gave me a little extra time to edit the weddings I had already shot to perfection.
How do you see the future of celebrations in our city and what mark do you want to leave on it?
I feel like weddings and celebrations will continue to get more and more. unconventional the more couples and future clients realise that they don’t have to do what’s come before to have a good time or to profess their love out to the world. More colour, more rule breaking, more heart. Basically just more of the good stuff.